The city that defies America in a clash of colour, music, life. It is oozing culture from every street corner. The French quarter feels truly French with its filigree balustrades and shuttered windows—this centre of the city is filled with gossamer handrails. Foliage drapes over balconies; emerald waterfalls into the street. This city didn’t have the hugeness and exaggeration of most things ‘American’ but was more of a pinch of finely selected herbs, delicate and very nearly European. The streets feel quaint and unassuming; a territory of quaintness, with its yoghurt pot colours—a western vibe, in fluorescent. There were ladies on bicycle wagons with colourful neckerchiefs, alive in art with the numerous galleries to be found around the centre.
It feels as though the outside world always associates New Orleans with the terrible tragedy of Katrina, but the people, and the city pulses with vibe and positivity—cheer, even. It is a city seeming to want to forget the bad and move on to the better.
Most of all, the area is not threatening. It is a very comfortable place to wander through. Despite staying on the outskirts of town, in what some may call a ‘questionable area’, we found the people to be very friendly, and more interested in us and what we were doing as tourists rather than causing us any trouble. The locals were excellent fun to converse with, and many had never met a person from England, which was an interesting experience for them.
It is also worth seeing the flea market in the French Quarter, and Audubon Park, which has a different vibe entirely. A Segway tour is a good way to see the city, taking you to all the major sites. Complete with training and knowledgeable guide. Summer is a bit warm for such an excursion though, unless you feel heat is not an issue. City Segway Tours is one of others to choose from.
At the waterfront can be found a softer atmosphere. A more laid back life, watching the Mississippi flow by. But this is still not devoid of culture. Listen out for the tones of the Natchez’s boat pipes, belching out tunefully from the riverside for a mile around. These are played by a pianist on the roof of the ferry. The boat itself seems to be driven by waterwheel and entirely made of wood but, as the waterwheel was running steadfastly when the boat was stationary, this may be a deceptive driving force of the vessel. Tickets can be brought from the water’s edge and you can take musical experience up and down the river. Even if you do not decide to ride, the atmosphere is enchanting.
Many people associate the city with its history in Voodoo. There is a Voodoo museum you can visit in the city. There was a lot of information which negates the classical idea of Voodoo, and although worth seeing, it was a dusty collection, and far smaller than expected.
The Mardi Gras festival, held in February, is the pinnacle of the year, although we were not lucky enough to be there during the festival itself, I understand it is a memorable and very colourful parade where the streets come alive with masked people, costumes and floats.
Around the New Orleans area can be found a number of plantation houses. If you don’t have access to a vehicle, then there are numerous places offering excursions to visit one or more from the city. These will often pick you up from your hotel and give you a lift back afterwards.
We visited the Evergreen Plantation in Wallace, Louisiana. which is what I believed to be one of the more well-known houses, due to its use in films locations for movies such as Django Unchained and hit series such as the new Roots, although this is one of a choice in the area.
The campus of Evergreen is enchanting with its abundance of the charming moss-draped trees that can be seen lining the long driveway. They remind me of hump-backed old ladies with weather-beaten faces; the ones who speak to no one and drape too many shawls over their shoulders, struggling with twenty shopping bags. And you wonder whether they have a home to go to as they pass you by.
There are grasshoppers the size of your hands that are fairly happy to be handled if you have bug-lovers in the party, and both outhouses, slave houses and machinery that has been saved from the time when this was a working plantation house.
Best part of all was the tour guide, a local, with all the charm, character and enthusiasm that you would hope for in a place with such a colourful history. He spoke melodiously about the architecture, the history of the slaves and their jobs around the plantation, the machinery, the local area, the foliage, the families who had inhabited the house over the years, the use of the location in film and TV, and he did it all as though it was the first tour he had ever taken. He was very informed, and his talk made the trip very worthwhile, despite being so far out from the city.
There are also numerous books and photographs lovingly labelled in the reception which detail more information to fill in the gaps between the talk. You can spend as much time perusing these as you wish, plus, if you sign the visitors’ book then your next visit is free of charge. The Plantation has seen several major stars in its time, not including those on film location, including the likes of Patrick Stewart. Interestingly, although the exterior of the house was used in a number of films, the interior wasn’t, due to its deceptive smallness, which could not be guessed from looking only from the outside.
Pictures captured using Lumix TZ80, August 2016. Apologies for the focus, it was the first time I had used the camera, and with far too much enthusiasm, I took pictures which were terrible quality. Best viewed small! Later are much improved.